Particles & structure words
Words that define sentence structure and relationships
Pronouns & people
Words referring to persons and identities
Time, numbers & amount
Words related to time, quantity, and measurement
Living things
Words related to animals, plants, and life forms
ANTAKALU
Body & senses
Words related to body parts and sensory functions
Space, place & environment
Words related to locations, directions, and surroundings
Objects, tools & stuff
Words related to physical objects and materials
Actions & qualities
Words related to actions, states, and characteristics
Colors
Words related to colors and hues
Book & dictionary words
Words specifically related to the Toki Pona book and dictionary
marked words are used by less than 90% of speakers
Basic sentences
Subject and predicate connected by li
Every Toki Pona sentence follows the pattern [subject] li [predicate]. The predicate can express an action, a state, or an identity. There is no separate word for "to be." li simply separates the subject from what it does or is.
Exception: when the subject is exactly mi (I) or sina (you) alone, li is dropped. With a compound subject like mi en sina, li is required.
Direct objects with e
Marking what the action is done to
e marks the direct object, the thing the verb is done to. It always comes after the predicate. Without e, a second word after the verb becomes a modifier of the verb, not an object. The difference matters: mi moku kili means "I eat in a fruit-like way," while mi moku e kili means "I eat fruit."
You can chain multiple objects by repeating e.
Modifiers
How words describe and narrow each other
In Toki Pona, most words have no fixed part of speech. The same word can be a noun, verb, adjective, or adverb. Its role is determined by position. Modifiers always come after the word they describe, which is the opposite of English.
When modifiers stack, each one narrows the entire phrase before it. So jan pona mute = [jan pona] mute = many [good people], not "good [many-person]."
Rebracketing with pi
Grouping multi-word modifiers
Without pi, every modifier applies directly to the head noun one by one. pi creates a grouped modifier where everything after pi (up to the next pi or end of phrase) acts as a single unit modifying the head.
Think of it as adding parentheses: tomo [telo nasa] vs [tomo telo] nasa. Use pi when you need two or more words to describe a concept together. pi must always be followed by at least two words, never just one.
Prepositions
Location, direction, origin, and means
Prepositional phrases follow the predicate (or the e-phrase). There are five core prepositions. Importantly, these same words are also ordinary content words. lon as a verb means "to exist" or "to be present," tawa means "to go" or "movement." They become prepositions by position, not by being a special class of word.
- lon at / in / on: location, time, or existence
- tawa to / for / towards: direction or recipient
- tan from / because of: origin or cause
- kepeken using / with: instrument or means
- sama like / as / similar to: comparison
Numbers
Additive counting with five number words
Toki Pona has five number words. They follow the noun they count and can be stacked additively to express larger values. Many speakers treat numbers loosely. The word mute often means "several" or "a lot" rather than exactly twenty, and exact counting is generally avoided in favor of vaguer quantities.
- wan one (also: united, single)
- tu two (also: split, divided)
- luka five (also: hand, arm)
- mute many / twenty (also: very, a lot)
- ale all / one hundred (also: everything, infinite)
Context clauses with la
Setting time, conditions, and topics
la sets up a context for the sentence that follows it. The structure is [context] la [main sentence], read as "in the context of X, Y." The context before la can be a noun phrase (expressing time or topic) or a full sentence (expressing a condition or cause).
Three common uses: temporal (at time X), conditional (if X then Y), and topical (regarding X, as for X).
Questions
seme for content questions, X ala X for yes or no
seme is a placeholder word that stands in for whatever you're asking about. Put it in the slot of the unknown: in subject position to ask "who/what," after e to ask "what (object)," after a preposition to ask "where/when/how."
For yes/no questions, use the X ala X pattern: repeat the main verb with ala between the two copies. Answer by saying the verb alone (yes) or the verb + ala (no).
Negation with ala
Placing negation directly after the word it negates
ala immediately follows the word it negates. It can negate a verb ("don't do"), an adjective ("not good"), or even a noun ("no house"). As a standalone word, ala means "nothing," "none," or "zero."
Place ala right after the specific word you want to negate. Position changes the meaning. mi moku ala (I don't eat) is different from mi ala li moku (it is not I who eats).
Commands and wishes with o
Imperatives, direct address, and expressing wishes
o has two related uses. As an imperative, it comes before a verb to make a command or express a wish ("let there be," "may X happen"). As a vocative, it follows a noun to address someone, like a comma after a name.
Combine both: [addressee] o [command]. When the subject is mi, o expresses "I should" or "I want to."
Proper names
Adapting foreign names to Toki Pona sounds
Toki Pona has no built-in words for specific people, places, or languages. Instead, you use a head noun followed by a capitalized name. The name is phonetically adapted to fit Toki Pona's sound system: syllables are consonant + vowel (CV), and only the sounds m, n, p, t, k, s, w, l, j and vowels a, e, i, o, u are used.
Common head nouns: jan (person), ma (land/country), toki (language), ma tomo (city).
Multiple subjects and predicates
Joining with en, repeating li, and chaining e
en joins multiple subjects into one compound subject. When the subject is compound, li is always required, even if one part is mi or sina.
To give a subject multiple predicates, repeat li for each one. To give a verb multiple objects, repeat e. These can be combined freely.
sitelen writer
Compose in toki pona and see it rendered in sitelen pona glyphs